Search by idea. Land on the exact shot.
Clients don't brief in keywords. They ask for "cushioning," "freshness," "precision," "an advanced sense of technology." On Motion Index, that language is the search language.
Type "cushioning" and the library returns foam macros, inflated geometry, padded textile cells, a shoe resting on pillows — shots that communicate the idea, whether or not anyone wrote that word next to them. Brief language in, visual language out.
Concepts, not keywords
The search understands what things look like, not just what they're called. It handles concepts ("freeze time," "weightless"), entities ("Rolex" finds Rolex; "watches" finds things that look like watches), and it forgives typos — "shose" and "wolkswagen" still land where they should.
- Semantic: matches meaning and appearance, not literal words
- Entity-aware: brand names, product types, and materials all resolve
- Typo-tolerant: misspelled queries still return the right shots
- Shot-level: results are individual moments, typically 10–30 per film
Why the shot is the right unit
Nobody references a whole video. The thing you need is a three-second lighting transition buried in a sixty-second spot. Because every film in Motion Index is decomposed into its individual shots, search results land you on the moment itself — saveable, filterable, and linked back to the full film with complete credits.
Frequently asked
What kind of queries work best?
All three levels people actually use: literal ("watch," "bmw"), aesthetic ("dark luxury," "golden hour"), and conceptual brief language ("cushioning," "precision," "energy"). The conceptual level is where the search earns its keep.
Does search cover the whole library?
Yes — every published shot is indexed. A free account runs unlimited searches and shows the first 100 matches per query; the paid plan shows every match.
Try it
Every feature on this page works on a free account. Join for free or browse the library first.